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Darkroom Papers: A Practical Comparison by Tom Warland

Darkroom Papers: A Practical Comparison by Tom Warland

Choosing a photographic paper is about far more than reading a list of specifications. The paper’s base colour, surface, image tone and construction all influence the character of the finished print, but those differences are best understood by seeing the papers used in the darkroom.

In his video “Darkroom Papers: A Practical Comparison,” photographer Tom Warland prints with an unusually varied selection of black-and-white papers. Alongside familiar resin-coated and fibre-based options from Kentmere, Ilford and Bergger, he experiments with warmtone and cooltone surfaces, Foma’s coloured Fomapastel papers, Film Washi’s handmade bamboo paper and Harman direct-positive material.

Watch “Darkroom Papers: A Practical Comparison” on YouTube and see what each paper brings to the image. It’s a practical and accessible comparison for anyone setting up a first darkroom, thinking about moving from RC to fibre paper, or searching for something more distinctive for a future print.

Featured papers: Kentmere VC Select Glossy, Ilford Multigrade Cooltone RC Glossy, Ilford Multigrade Warmtone RC Glossy, Ilford Multigrade FB Warmtone Semi-Matt, Bergger Prestige Variable CB FB Glossy, Foma Fomapastel Range, Film Washi B Bamboo Paper, Foma Fomaspeed N311 Glossy and Harman Direct Positive FB.

 

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