{"title":"Offers","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/OFFERS-1600x284.png?v=1748569877\" alt=\"\"\u003e\u003c\/p\u003e","products":[{"product_id":"adox-adofix-p-ii-universal-fixer-powder-makes-1l","title":"Adox Adofix P II Universal Fixer - Makes 1L","description":"\u003cp\u003eAdox Adofix P II is unusual in that it is a universal powder acid fixer for films and papers - all others being liquid. It can be used for manual processing of most types of black and white photo papers and films.\u003c\/p\u003e \r\n\u003cp\u003eThis light-weight powder fixer, based on \u003cspan\u003eammoniumthiosulphate, \u003c\/span\u003ehas a great shelf life. Both the powder and the working solution are very durable. The benefits of Adofix P II are obvious when economy is required but it is also an option where fixer concentrates are unfavourable to use (i.e. climatic conditions with high temperatures and high humidity).\u003c\/p\u003e \r\n\u003cp\u003eAdofix P II is a more homogenous powder with less clogging up compared to the original Adofix P. It also includes new Adox Captura Dust Binding technology. The powder does not smell anymore and does not produce dust while mixing.\u003c\/p\u003e \r\n\u003cp\u003eThe improved Aluminum-Compound bag offers increased shelf life too.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273070756227,"sku":"ADOX350","price":4.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/5696_14883_4674fea2-cd39-40f9-b741-0cc90bec3e2a.jpg?v=1744382294"},{"product_id":"adox-adofix-plus-fixer-1-litre","title":"Adox Adofix Plus Fixer - 1L","description":"\u003cp\u003eAdox's Adofix Plus is an excellent value, high-capacity, express fixer for all black-and-white photo materials (black and white photo paper (RC or Fiber-based), film, and sheet. It's intended for use in trays, tanks, and processing machines.\u003c\/p\u003e \r\n\u003cp\u003eYou can make up to 10 litres of working solution with one litre of concentrate. Dilution is either 1+4 (recommended for film use)or 1+9.\u003c\/p\u003e \r\n\u003cp\u003eCapacity: 1.4 - 2 sq. meters of photo paper of 6-10 films per litre of working solution at 1+9 dilution. Total capacity: 45 films or 200 sheets of 8x10 inch photo paper.\u003c\/p\u003e \r\n\u003cp\u003eIt'll stay fresh if kept unopened for about two years, but after opening the concentrate, it should be used within three months.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273070788995,"sku":"ADOX351","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/13192_19055_c4c4e2c7-29bd-4f99-90ca-e9ac5e8deca5.jpg?v=1744385784"},{"product_id":"adox-adofix-plus-fixer-100ml","title":"Adox Adofix Plus Fixer - 100ml","description":"\u003cp\u003eThis excellent value baby bottle of fix is principally used to fix 4-5 rolls of black and white film. As a high-capacity express intended for all black and white film and black and white photo paper (RC or Fibre-based). You can use it in trays, tanks, and machines.\u003c\/p\u003e \r\n\u003cp\u003eYou can make 10 litres of working solution with one litre of concentrate. Dilution is either 1+4 for film or 1+9 for paper.\u003c\/p\u003e \r\n\u003cp\u003eIt will stay fresh if kept unopened for about two years, but after opening, the concentrate shall be used up within about three months.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273070821763,"sku":"ADOX352","price":4.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/13179_19031_2b64d219-6b51-4e3a-874d-402520f93193.jpg?v=1744385758"},{"product_id":"adox-atomal-49-film-developer-makes-1-litre","title":"Adox Atomal 49 Film Developer - Makes 1L","description":"\u003cp\u003eAdox Atomal 49 is an extra-fine grain, compensating developer offering excellent film speed and high contrast control from development.\u003c\/p\u003e \r\n\u003cp\u003eAs a single-use developer, ATM 49 delivers precise, repeatable results on each roll of film. The powder developer mixes to make a 1-litre stock solution. The stock solution can be used for up to ten films or further diluted as a single-shot developer. Stock solution can be kept in a full container for up to 6 weeks. It was formerly known as Calbe A49.\u003c\/p\u003e \r\n\u003cp\u003eThe 5-litre version mixes to a 5-litre stock and, working the same way, can process up to 50 films, making it the cheapest developer we sell.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273070854531,"sku":"ADOX340","price":7.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/13174_19023_6c913b57-af18-4ef5-9d0a-1dd96acc6074.jpg?v=1744385737"},{"product_id":"adox-atomal-49-film-developer-makes-5-litres","title":"Adox Atomal 49 Film Developer - Makes 5L","description":"\u003cp\u003eAdox Atomal 49 is an extra-fine grain, compensating developer offering excellent film speed and high contrast control from development.\u003c\/p\u003e \r\n\u003cp\u003eAs a single-use developer, ATM 49 delivers precise, repeatable results on each roll of film. The powder developer mixes to make a 1-litre stock solution. The stock solution can be used for up to ten films or further diluted as a single-shot developer. Stock solution can be kept in a full container for up to 6 weeks. It was formerly known as Calbe A49.\u003c\/p\u003e \r\n\u003cp\u003eThe 5-litre version mixes to a 5-litre stock and, working the same way, can process up to 50 films, making it the cheapest developer we sell.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273071280515,"sku":"ADOX341","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/13175_19024_b8941063-cacf-4990-ab9e-8e0f2e785d14.jpg?v=1744385740"},{"product_id":"adox-chs-100-ii-35mm-iso-100-135-36","title":"Adox CHS 100 II - 35mm 36Exp","description":"\u003cp\u003eAdox CHS 100 II produces delicate, soft, airy images with open shadows, creamy highlights and a smooth tonal transition.\u003c\/p\u003e \r\n\u003cp\u003eThe orthopanchromatic emulsion features a reduced red sensitivity and a curve gap between blue and green, producing deeper skies with standing-out clouds and a balanced tonal reproduction in portraiture. Along with classical grain, CHS 100 II is perfect for fine art photography, delivering an authentic 1960s film look.\u003c\/p\u003e \r\n\u003cp\u003eTwo emulsions coated in a single layer on an archival clear PET 100-micron base make up the film, resulting in a considerable exposure latitude. CHS 100 II responds very well to pull and push-processing.\u003c\/p\u003e \r\n\u003cp\u003eIn 35mm format, Adox CHS100 II has two anti-halation layers (between the emulsion and the base and on the backside), making it very sharp. The reverse side AH layer also diminishes curling and reduces the light-piping effect. This light penetrating through the base into the cartridge is inherent to all polyester-based films and cannot be entirely prevented, and this protects it from bright light, which can fog the first few frames. It is best to load CHS in subdued light.\u003c\/p\u003e \r\n\u003cp\u003eYou can manage sharpness and contrast of CHS 100 II with various developers: velvety soft results in Atomal, balanced contrast and optimal sharpness in FX-39 and high contrast with extra high definition in Adonal\/Rodinal.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273071313283,"sku":"ADOX130","price":8.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/CHS100_II_1200x1200_3b7c04a3-85ce-4d65-9deb-12d5e6ff8610.webp?v=1752630174"},{"product_id":"adox-cms-20-ii-35mm-iso-20","title":"Adox CMS 20 II - 35mm 36Exp","description":"\u003cp\u003eNo other film is sharper; no other film has finer grain or higher resolution (up to 800 lp\/mm at high contrast).\u003c\/p\u003e \r\n\u003cp\u003eNearly grain-free and ultra-sharp enlargements can be made up to an image size of 2.5 metres diagonal. This is equivalent to a 500-megapixel resolution.\u003c\/p\u003e \r\n\u003cp\u003eAdox CMS 20 II has cubic silver grains of even grain size coated in a single, ultra-finest-grain, ultra-thin layer. The AHU Anti-halation layer between the emulsion and film base guarantees optimal film sharpness.\u003c\/p\u003e \r\n\u003cp\u003eAdox Adotech IV developer is the exceptional developer we recommend for use with this film. It is designed to bring the perfect greyscales and tonality to this otherwise very hard-contrast film material. It will give you images with incredible detail that no one will believe were shot on 35mm film. You'll get optimal results in classic pictorial half-tone photography.\u003c\/p\u003e \r\n\u003cp\u003eWith Adotech IV, this film can be used in a light sensitivity range of EI 3\/6° up to 25\/15°\u003c\/p\u003e \r\n\u003cp\u003eHowever, when using a typical standard developer, the light sensitivity increases to ISO 80\/20°, and the contrast becomes ultra-hard. The film can be used as a document film when developed this way.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273071346051,"sku":"ADOX120","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/ADOX120_2_1200x1200_5d73aa47-2dfd-4d5d-a845-f2034ebc9e8b.webp?v=1752630072"},{"product_id":"adox-d-76-eco-film-developer-makes-1l","title":"Adox D-76 Eco Film Developer - Makes 1L","description":"\u003cp\u003eThe Kodak Developer-76 recipe is a photography legend next to Rodinal, gaining almost universal recognition as the go-to developer for photojournalistic work during WWII and the post-war era.\u003c\/p\u003e \r\n\u003cp\u003eD-76 is a universal, easy-to-use developer with many applications for most different films and contrast situations, consistently delivering fine grain and excellent speed utilisation. With the original Kodak D-76 difficult to acquire, we're pleased to offer a new alternative now.\u003c\/p\u003e \r\n\u003cp\u003eAdox took the classical formula and, while keeping all the essential original properties and developing times, brought it up to modern standards. The new Adox D-76 has significantly lower dissolving temperatures and uses Captura technology for dust-free mixing. All the borates were removed and replaced with a non-toxic biodegradable buffer. It is made in Germany, with research and post-production quality control carried out on-site. The product is available in 1L and 5L packs.\u003c\/p\u003e \r\n\u003cp\u003eThe Adox D-76 developer can be used exactly like the Kodak D-76, with the already-published D-76 times, dilutions and factors.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273071772035,"sku":"ADOX335","price":8.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/13306_20022_b4562da1-f10e-42bb-b05c-03eb64565fd0.jpg?v=1744386259"},{"product_id":"adox-d-76-eco-film-developer-makes-5l","title":"Adox D-76 Eco Film Developer - Makes 5L","description":"\u003cp\u003eThe Kodak Developer-76 recipe is a photography legend next to Rodinal, gaining almost universal recognition as the go-to developer for photojournalistic work during WWII and the post-war era.\u003c\/p\u003e \r\n\u003cp\u003eD-76 is a universal, easy-to-use developer with many applications for most different films and contrast situations, consistently delivering fine grain and excellent speed utilisation. With the original Kodak D-76 difficult to acquire, we're pleased to offer a new alternative now.\u003c\/p\u003e \r\n\u003cp\u003eAdox took the classical formula and, while keeping all the essential original properties and developing times, brought it up to modern standards. The new Adox D-76 has significantly lower dissolving temperatures and uses Captura? technology for dust-free mixing. All the borates were removed and replaced with a non-toxic biodegradable buffer. It is made in Germany, with research and post-production quality control carried out on-site. The product is available in 1l and 5l packs.\u003c\/p\u003e \r\n\u003cp\u003eThe Adox D-76 developer can be used exactly like the Kodak D-76, with the already-published D-76 times, dilutions and factors.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273071804803,"sku":"ADOX336","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/13307_20023_dfff31d1-a8a6-4bdc-b44d-ffe5a4fe7063.jpg?v=1744386261"},{"product_id":"adox-fx-39-type-ii-film-developer-100ml","title":"Adox FX-39 Type II Film Developer - 100ml","description":"\u003cp\u003eThis one-shot, high definition developer is perfect for bringing out exceptional detail and extreme sharpness from your negatives and is enough developer to develop 4 films.\u003c\/p\u003e \r\n\u003cp\u003eBased on the Beutler Formula for Neofin Red, it was originally formulated by Geoffrey Crawley for Paterson Photographic but was withdrawn in 2012. We're pleased to announce its return with it now being made by Adox in Germany.\u003c\/p\u003e \r\n\u003cp\u003eFX-39 Type II is closely related to Acutol but specifically developed to exploit the advanced silver halide grain technology in films such as Ilford Delta, Kodak Tmax or Fuji Acros. It makes very good use of the film's full ISO-rating and is possible to double the film's ISO simply by adjusting the development times.\u003c\/p\u003e \r\n\u003cp\u003eAt 1+19 dilutions, twice the normal development time applies, giving you a valuable compensating effect with extra shadow detail and the ability to cope with high contrast subjects.\u003c\/p\u003e \r\n\u003cp\u003eWe especially recommend it for films up to 200 ASA.\u003c\/p\u003e \r\n\u003cp\u003eStandard dilution is 1+9. At 1+14 the time should be multiplied by 1.5 and at dilutions of 1+19 develop for twice as long as by standard dilution. The new version features better keeping properties and is less sensitive to low temperature shipping.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273071870339,"sku":"ADOX330","price":4.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/13178_19030_818e2499-e511-4ce6-958a-feca1eaacc95.jpg?v=1744385755"},{"product_id":"adox-fx-39-type-ii-film-developer-500ml","title":"Adox FX-39 Type II Film Developer - 500ml","description":"\u003cp\u003eThis one-shot, high definition developer is perfect for bringing out exceptional detail and extreme sharpness from your negatives.\u003c\/p\u003e \r\n\u003cp\u003eBased on the Beutler Formula for Neofin Red, it was originally formulated by Geoffrey Crawley for Paterson Photographic but was withdrawn in 2012. We're pleased to announce its return with it now being made by Adox in Germany.\u003c\/p\u003e \r\n\u003cp\u003eFX-39 Type II is closely related to Acutol but specifically developed to exploit the advanced silver halide grain technology in films such as Ilford Delta, Kodak Tmax or Fuji Acros. It makes very good use of the film's full ISO-rating and is possible to double the film's ISO simply by adjusting the development times.\u003c\/p\u003e \r\n\u003cp\u003eAt 1+19 dilutions, twice the normal development time applies, giving you a valuable compensating effect with extra shadow detail and the ability to cope with high contrast subjects.\u003c\/p\u003e \r\n\u003cp\u003eWe especially recommend it for films up to 200 ASA.\u003c\/p\u003e \r\n\u003cp\u003eStandard dilution is 1+9. At 1+14 the time should be multiplied by 1.5 and at dilutions of 1+19 develop for twice as long as by standard dilution. The new version features better keeping properties and is less sensitive to low temperature shipping.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273071903107,"sku":"ADOX331","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/6096_15015_d4e953a9-e3bc-45b0-9416-d28de41efdca.jpg?v=1744382328"},{"product_id":"adox-hr-50-135-36-iso-50","title":"Adox HR-50 - 35mm 36Exp","description":"\u003cp\u003eAdox HR-50 is a new film whose emulsion is normally used for extra sharp for technical purposes. The grain is ultrafine and is super-panchromatically sensitive.\u003c\/p\u003e \r\n\u003cp\u003eThe origin speed of this film is ISO 25 (like Rollei RPX25) but it has been given a speed boost for rating at ISO 50 as standard. Both film speeds can happily be used with it. We feel it especially suitable for street and landscape photography\u003c\/p\u003e \r\n\u003cp\u003eThe gamma is reduced so it becomes perfectly usable for pictorial photography in regular developers but if you do use the film for portraiture work, we recommend using Adox's dedicated HR-Dev developer. It has been specifically made for use with this new film.\u003c\/p\u003e \r\n\u003cp\u003eThe other bonus is that this new film can be used for Infrared work too (use the new low-cost IR filter from Adox) and it also responds extremely well to all other filtration (yellow, orange, red, blue, green).\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273071935875,"sku":"ADOX110","price":7.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/HR-50Film-01-1-1024x1024.webp?v=1752549660"},{"product_id":"adox-hr-developer-100ml","title":"Adox HR-Developer -100ml","description":"\u003cp\u003eThis curve optimising developer has been designed specifically for use with slow technical films like Adox HR-50 or Silvermax. It can also be used with films like Rollei RPX-25.\u003c\/p\u003e \r\n\u003cp\u003eThe highlights and shadows are better differentiated than with comparable developers and the possible sensitivity utilisation increases.\u003c\/p\u003e \r\n\u003cp\u003eThe sharpness and grain of the film are both accentuated when using this developer.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273071968643,"sku":"ADOX345","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/7289_16686_2f47f2c3-8248-4ba5-acbc-521dadd111ea.jpg?v=1744383417"},{"product_id":"adox-neutol-eco-paper-developer-1-litre","title":"Adox Neutol Eco Paper Developer - 1L","description":"\u003cp\u003eWith health \u0026amp; safety paramount in modern thinking, it is great to sell a new print developer that is both eco-friendly, and (because there are no restrictions in respect to current labelling) simple to transport and to discard.\u003c\/p\u003e \r\n\u003cp\u003eNeutol ECO is a hydroquinone-free high power paper developer based on ascorbic acid. It is ideal for schools, colleges or community darkrooms.\u003c\/p\u003e \r\n\u003cp\u003eThere is no compromise in quality or processing speed either. In fact, Neutol Eco is faster working than comparable hydroquinone containing developers.\u003c\/p\u003e \r\n\u003cp\u003eRegular Dilution: 1+4 (capacity: ca. 5qm\/litre)\u003c\/p\u003e \r\n\u003cp\u003eHigh Dilution: 1+9 (capacity ca. 4qm\/litre)\u003c\/p\u003e \r\n\u003cp\u003eDeveloping time for PE-Paper at 20°C: 50 sec.\u003c\/p\u003e \r\n\u003cp\u003eDeveloping time for Fibre Based-Paper- at 20°C: 90 sec.\u003c\/p\u003e \r\n\u003cul\u003e \r\n\u003cli\u003eExcellent activity and fast image build up with very good speed utilisation\u003c\/li\u003e \r\n\u003cli\u003eExcellent Dmax\u003c\/li\u003e \r\n\u003cli\u003eVery low base fog\u003c\/li\u003e \r\n\u003cli\u003eHigher process speed thus possible to work with lower temperatures than with conventional developers\u003c\/li\u003e \r\n\u003c\/ul\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273072001411,"sku":"ADOX302","price":20.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/7121_19052_fa59c8c1-9783-4eb3-8751-7687504212cc.jpg?v=1744383169"},{"product_id":"adox-neutol-ne-paper-developer-1-litre","title":"Adox Neutol NE Paper Developer - 1L","description":"\u003cp\u003eAdox's standard neutral-black working paper developer is excellent for use with all multigrade or graded black and white darkroom papers.\u003c\/p\u003e \r\n\u003cp\u003eProducing a neutral image tone and maximum black density, you can use it in developing trays or for processing machines.\u003c\/p\u003e \r\n\u003cp\u003eBeing a highly concentrated solution, you can achieve the best quality, longevity and capacity with the dilution of 1+7.\u003c\/p\u003e \r\n\u003cp\u003eFor economy, you can dilute as thinly as 1+15. However, this dilution is best advised when the number of sheets to be developed is relatively low or when the time between developing sessions is extended.\u003c\/p\u003e \r\n\u003cp\u003e \u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eWhen processing at a dilution of 1+7:\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cul\u003e \r\n\u003cli\u003eDeveloping time for PE Paper at 20° C is 60 sec.\u003c\/li\u003e \r\n\u003cli\u003eDeveloping time for PE Paper at 25° C is 45 sec.\u003c\/li\u003e \r\n\u003cli\u003eDeveloping time fibre paper at 20° C is 90 sec.\u003c\/li\u003e \r\n\u003cli\u003eDeveloping time fibre paper at 25° C is 60 sec.\u003c\/li\u003e \r\n\u003cli\u003ePlease note for fibre paper with a high silver content extend this between 90 - 120 sec.\u003c\/li\u003e \r\n\u003cli\u003eCapacity: 100 Sheets of 8 x 10-inch paper\u003c\/li\u003e \r\n\u003c\/ul\u003e \r\n\u003cp\u003e\u003cbr\u003e \u003cstrong\u003eWhen processing at a dilution of 1+15:\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cul\u003e \r\n\u003cli\u003eDeveloping time for PE Paper at 20°C is 90 sec.\u003c\/li\u003e \r\n\u003cli\u003eDeveloping time for PE Paper at 25°C is 60 sec.\u003c\/li\u003e \r\n\u003cli\u003eDeveloping time fibre paper at 20°C is 120 sec.\u003c\/li\u003e \r\n\u003cli\u003eDeveloping time fibre paper at 25°C is 90 sec.\u003c\/li\u003e \r\n\u003cli\u003ePlease note for not recommended for fibre paper with high silver content.\u003c\/li\u003e \r\n\u003cli\u003eCapacity: 75 Sheets of 8 x 10-inch paper\u003c\/li\u003e \r\n\u003c\/ul\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273074622851,"sku":"ADOX303","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/7408_19051_61da2771-20a8-406a-b02a-e020f7f5772d.jpg?v=1744383627"},{"product_id":"adox-ra4-professional-kit-2-5-litres","title":"Adox RA4 Professional Kit - 2.5L","description":"\u003cp\u003eThis kit is intended to be used with equipment with a thermostatically controlled processing temperature, set at 35? C. Development can be carried out in both roller and standard tank processors (e.g. Jobo Rotation processors and Nova Deep-Tank).\u003c\/p\u003e \r\n\u003cp\u003eThe kit contains everything you need to develop colour paper: Developer and Bleach Fix. With today's colour papers all being RA-4 compatible this is all you'll need to process stunning colour prints.\u003c\/p\u003e \r\n\u003cp\u003eCapacity is approximately 5 square metres for 2.5 litres of working solution which equates to 100 sheets of 8 x 10 inch RA4 colour paper.\u003cbr\u003e \u003cbr\u003e The working solution keeps up for one month in well closed and entirely filled bottles.\u003c\/p\u003e \r\n\u003cp\u003eThe developer must be used at 35C (+\/- 0,3 C). The bleach fix is more forgiving.\u003cbr\u003e \u003cbr\u003e Having said this, the Adox RA-4 kit is open for experimentation. We have known of customers who've used it at room temperature, then 3 minutes Dev, wash, stop and final 3 minutes Blix and got fantastic results.\u003cbr\u003e \u003cbr\u003e Let us know how you get on - this new kit is real alternative to the Tetenal RA4 pro kit. For full instructions please see the PDF on this page.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273074655619,"sku":"ADOX304","price":28.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/6870_17711_749a2a84-342d-4c02-a978-ee4ebe0cfa87.jpg?v=1744382942"},{"product_id":"adox-scala-50-135-36-iso-50","title":"Adox Scala 50 - 35mm 36Exp","description":"\u003cp\u003eThis is the second b\u0026amp;w slide film, originally from AGFA, relaunched by Adox. It is a high-resolution film with a high copy range, low DMIN and very good DMAX. \u003cbr\u003e \u003cbr\u003e Like the 160 ISO version, it is coated onto a clear tri-acetate PET base has an anti halo effect, high silver application for the needed density, very high contrast in the projection and comes with ''SPEED BOOST'' technology.\u003cbr\u003e \u003cbr\u003e Slide films have to be reversibly processed for instance, in Fomapan-R but for mail-ordering processing we recommend \u003cbr\u003e \u003cbr\u003e Fotostudio 13, Stuttgart (a local drop of or via mail) or DR5, USA (Mail order)\u003cbr\u003e \u003cbr\u003e Emulsion: Superpanchromatical\u003cbr\u003e Resolution: Up to 280lp\/mm at an image contrast of 1000:1\u003cbr\u003e ISO: 50\/17\u003cbr\u003e Base: 0,1mm PET\u003cbr\u003e Anti Halation: Combined AHU\/NC\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273074688387,"sku":"ADOX100","price":7.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/12817_17505_7df7864b-c2f8-4a9c-8d78-20f7555df1a7.jpg?v=1744384109"},{"product_id":"adox-snap-on-filter-85b-52mm","title":"Adox Snap On Filter 85B - 52mm","description":"\u003cp\u003eAdox SNAP-ON gelatine filters are a new and unique idea in budget colour filters.\u003c\/p\u003e\u003cp\u003eEach one increases your creativity, at a fraction of the cost you'd pay for either a mounted (ringed) filter or Cokin square alternative.\u003c\/p\u003e\u003cp\u003eEach one is made with a patented shape that uses their little teeth on the side to 'bite' onto the inside of the camera lens' standard filter thread. If need be you can press or screw them in a little for a little more compact fit. To remove, you simply pull the little tab onto which the filter type and exposure factor is printed.\u003c\/p\u003e\u003cp\u003eEach Adox gelatine filter is made using Cibachrome(R) dyes which are light stable and will not fade out. They are water repellent, so can be used if it's raining but also you just wipe them with wet antistatic cloth to clean them.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThree versions are available:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eInfrared\u003c\/li\u003e\n\u003cli\u003e85B Tungsten\u003c\/li\u003e\n\u003cli\u003eYellow (8)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eA tungsten conversion 85B filter converts the light in a way that tungsten film, like CineStill 800T, can be used outdoors. 85B being 'Full Tungsten Conversion (FTC)' is perfect for the time of the year where sunlight is often reduced outside. The exposure prolonging factor is 2X.\u003c\/p\u003e\u003cp\u003e2300°K correction blue to yellow-orange.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273075016067,"sku":"ADOX002","price":5.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/7273_16655_735deac2-ac84-47d6-9358-6862f3e20db2.jpg?v=1744383370"},{"product_id":"adox-snap-on-filter-yellow-49mm","title":"Adox Snap On Filter Yellow - 49mm","description":"\u003cp\u003eAdox SNAP-ON gelatine filters are a new and unique idea in budget colour filters.\u003c\/p\u003e \r\n\u003cp\u003eEach one increases your creativity, at a fraction of the cost you'd pay for either a mounted (ringed) filter or Cokin square alternative.\u003c\/p\u003e \r\n\u003cp\u003eEach one is made with a patented shape that uses their little teeth on the side to 'bite' onto the inside of the camera lens' standard filter thread. If need be you can press or screw them in a little for a little more compact fit. To remove, you simply pull the little tab onto which the filter type and exposure factor is printed.\u003c\/p\u003e \r\n\u003cp\u003eEach Adox gelatine filter is made using Cibachrome(R) dyes which are light stable and will not fade out. They are water repellent, so can be used if it's raining but also you just wipe them with wet antistatic cloth to clean them.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eThree versions are available:\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cul\u003e \r\n\u003cli\u003eInfrared\u003c\/li\u003e \r\n\u003cli\u003e85B Tungsten\u003c\/li\u003e \r\n\u003cli\u003eYellow (8)\u003c\/li\u003e \r\n\u003c\/ul\u003e \r\n\u003cp\u003eThe conversion yellow (8) converts the light in a way that shows more impressive black and white landscape photos during daylight. The sky is accentuated from the clouds or water becomes darker and more pronounced. The exposure prolonging factor is 2X.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273075638659,"sku":"ADOX030","price":5.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/7279_16671_8182371b-f248-4ecc-be6d-61d89768e365.jpg?v=1744383395"},{"product_id":"adox-snap-on-filter-yellow-55mm","title":"Adox Snap On Filter Yellow - 55mm","description":"\u003cp\u003eAdox SNAP-ON gelatine filters are a new and unique idea in budget colour filters.\u003c\/p\u003e \r\n\u003cp\u003eEach one increases your creativity, at a fraction of the cost you'd pay for either a mounted (ringed) filter or Cokin square alternative.\u003c\/p\u003e \r\n\u003cp\u003eEach one is made with a patented shape that uses their little teeth on the side to 'bite' onto the inside of the camera lens' standard filter thread. If need be you can press or screw them in a little for a little more compact fit. To remove, you simply pull the little tab onto which the filter type and exposure factor is printed.\u003c\/p\u003e \r\n\u003cp\u003eEach Adox gelatine filter is made using Cibachrome(R) dyes which are light stable and will not fade out. They are water repellent, so can be used if it's raining but also you just wipe them with wet antistatic cloth to clean them.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eThree versions are available:\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cul\u003e \r\n\u003cli\u003eInfrared\u003c\/li\u003e \r\n\u003cli\u003e85B Tungsten\u003c\/li\u003e \r\n\u003cli\u003eYellow (8)\u003c\/li\u003e \r\n\u003c\/ul\u003e \r\n\u003cp\u003eThe conversion yellow (8) converts the light in a way that shows more impressive black and white landscape photos during daylight. The sky is accentuated from the clouds or water becomes darker and more pronounced. The exposure prolonging factor is 2X.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273075704195,"sku":"ADOX032","price":5.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/7266_16633_dc71b9af-c697-4c33-922f-6600143d1dcb.jpg?v=1744383355"},{"product_id":"adox-snap-on-filter-yellow-58mm","title":"Adox Snap On Filter Yellow - 58mm","description":"\u003cp\u003eAdox SNAP-ON gelatine filters are a new and unique idea in budget colour filters.\u003c\/p\u003e \r\n\u003cp\u003eEach one increases your creativity, at a fraction of the cost you'd pay for either a mounted (ringed) filter or Cokin square alternative.\u003c\/p\u003e \r\n\u003cp\u003eEach one is made with a patented shape that uses their little teeth on the side to 'bite' onto the inside of the camera lens' standard filter thread. If need be you can press or screw them in a little for a little more compact fit. To remove, you simply pull the little tab onto which the filter type and exposure factor is printed.\u003c\/p\u003e \r\n\u003cp\u003eEach Adox gelatine filter is made using Cibachrome(R) dyes which are light stable and will not fade out. They are water repellent, so can be used if it's raining but also you just wipe them with wet antistatic cloth to clean them.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eThree versions are available:\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cul\u003e \r\n\u003cli\u003eInfrared\u003c\/li\u003e \r\n\u003cli\u003e85B Tungsten\u003c\/li\u003e \r\n\u003cli\u003eYellow (8)\u003c\/li\u003e \r\n\u003c\/ul\u003e \r\n\u003cp\u003eThe conversion yellow (8) converts the light in a way that shows more impressive black and white landscape photos during daylight. The sky is accentuated from the clouds or water becomes darker and more pronounced. The exposure prolonging factor is 2X.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273075736963,"sku":"ADOX033","price":5.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/7267_16636_0292d2ce-f04b-4ca8-a808-40813a60855f.jpg?v=1744383363"},{"product_id":"adox-starter-developing-kit-for-black-and-white-film","title":"Fotoimpex Starter Developing Kit for Black and White Film","description":"\u003cp\u003eThis kit is a great way to get you processing black and white film for the first time. It is the only kit we sell that contains both the accessories AND chemicals needed to go straight from an unexposed movie from your camera to give you a finished, developed negative in your hands. The kit allows you to process 35mm or medium format (120mm) film.\u003c\/p\u003e\u003ch3\u003eThe kit contains the following items:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e1 x Paterson two-film tank with two spirals\u003c\/li\u003e\n\u003cli\u003e1 x Thermometer\u003c\/li\u003e\n\u003cli\u003e1 x Adox 25ml Rodinal measuring cylinder\u003c\/li\u003e\n\u003cli\u003e1 x Adox 1000ml measuring jug\u003c\/li\u003e\n\u003cli\u003e1 x 100ml of ADONAL film developer\u003c\/li\u003e\n\u003cli\u003e1 x 100ml of ADOFIX Fixer\u003c\/li\u003e\n\u003cli\u003e1 x 100ml of ADOFLO wetting agent\u003c\/li\u003e\n\u003cli\u003e1 x Exposed film to practice with the film spooling process\u003c\/li\u003e\n\u003cli\u003e1 x Comprehensive manual with many images explaining the film development process \u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eYou can develop ten films with this kit before reordering any chemistry.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003ch3\u003eThe following items are assumed to be in your house already:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eDark room to spool the film (alternatively, buy a changing bag) \u003c\/li\u003e\n\u003cli\u003eStop clock with minute hand \u003c\/li\u003e\n\u003cli\u003eScissors \u003c\/li\u003e\n\u003cli\u003eClothes pegs to hang the film for drying \u003c\/li\u003e\n\u003cli\u003eMeasuring beaker\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003eSuppose you need any of these ancillary items. In that case, they are all available to purchase separately from us, as is a low-price scanner for you to load your negatives into your PC\/Mac or expand equipment for printing.\u003c\/p\u003e","brand":"Fotoimpex","offers":[{"title":"Default Title","offer_id":55273075769731,"sku":"ADOX320","price":43.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/ADOX320_1_1200x1200_75d2872a-8308-4b5a-9b96-ef41a3080a70.webp?v=1752549575"},{"product_id":"adox-xt-3-film-developer-makes-1-litre","title":"Adox XT-3 Film Developer - Makes 1L","description":"\u003cp\u003eThis well-balanced film developer is based on Ascorbic Acid. Ascorbic Acid is often referred to as the Vitamin C film developer. Some modern developers often replace the toxic Hydroquinone or Metol with Ascorbic Acid or Vitamin C.\u003c\/p\u003e \r\n\u003cp\u003eAdox's XT-3 developer offers a wide range of ISO negatives with high sharpness and excellent grain. Being Hydroquinone-free and without Boric Acid, it is eco-friendly too. It also has improved storage capabilities when compared to earlier ascorbic-acid developers.\u003c\/p\u003e \r\n\u003cp\u003eAdox has reduced this handy powdered developer's dissolving speed to only 2-3 minutes, and Adox Captura dust binding technology lets you mix this powder chemical without inhaling chemical dust.\u003c\/p\u003e \r\n\u003cp\u003eThe developing times and resulting curves are identical with XTOL produced before 2019 and sold in aluminium compound bags, making it an excellent alternative to XTOL.\u003c\/p\u003e \r\n\u003cp\u003eHowever, ascorbate developers can have poor keeping properties. Oxidised ascorbate is both ineffective as a developing agent and lowers the solution's pH, making the remaining developing agents less active.\u003c\/p\u003e \r\n\u003cp\u003eA one litre pack is enough developer for ten films, while the 5 litre pack will process 50 films.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273076818307,"sku":"ADOX300","price":7.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/12949_18091_b2d3a97f-e431-4ed8-8bf5-22bf015e62f2.jpg?v=1744384857"},{"product_id":"adox-xt-3-film-developer-makes-5-litres","title":"Adox XT-3 Film Developer - Makes 5L","description":"\u003cp\u003eThis well-balanced film developer is based on Ascorbic Acid. Ascorbic Acid is often referred to as the Vitamin C film developer. Some modern developers often replace the toxic Hydroquinone or Metol with Ascorbic Acid or Vitamin C.\u003cbr\u003e \u003cbr\u003e Adox's XT-3 developer offers a wide range of ISO negatives with high sharpness and excellent grain. Being Hydroquinone-free and without Boric Acid, it is Eco-friendly too. It also has improved storage capabilities when compared to earlier ascorbic-acid developers. \u003cbr\u003e \u003cbr\u003e Adox has reduced this handy powdered developer's dissolving speed to only 2-3 minutes, and Adox Captura dust binding technology lets you mix this powder chemical without inhaling chemical dust.\u003cbr\u003e \u003cbr\u003e The developing times and resulting curves are identical with XTOL produced before 2019 and sold in aluminium compound bags, making it an excellent alternative to XTOL.\u003cbr\u003e \u003cbr\u003e However, ascorbate developers can have poor keeping properties, though. Oxidised ascorbate is both ineffective as a developing agent and lowers the solution's pH, making the remaining developing agents less active. \u003cbr\u003e \u003cbr\u003e A one-litre pack is enough developer for ten films, while the 5-litre pack will process 50 films.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273076851075,"sku":"ADOX301","price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/12950_18092_b6f97098-b180-4d23-abe8-f9e89c4a2e40.jpg?v=1744384862"},{"product_id":"adox-d-76-classic-film-developer-makes-1l","title":"Adox D-76 Classic Film Developer - Makes 1L","description":"\u003cp\u003eFotoimpex introduced an eco-friendly version of the iconic D-76 developer: ADOX D-76 ECO. With a lower dissolving temperature, a borate-free buffer, and captura dust-binding technology, it offered impressive environmental benefits. However, they understood that many long-standing customers; especially those who have trusted traditional formulas for decades; may have preferred the trusted characteristics of the original. So they have reintroduced a familiar formula under a new name: ADOX D-76 CLASSIC.\u003c\/p\u003e \r\n\u003cp\u003eD-76 CLASSIC offers the exact same performance, consistency, and developing times that have been relied on for years. Producing identical results to what you expect from ID-11, the original D-76, or our current D-76 ECO, but with one key advantage: extended storage life.\u003c\/p\u003e \r\n\u003cp\u003eWhile ADOX D-76 ECO remains an excellent choice for environmentally conscious photographers, we know that longevity matters, especially for professionals and darkroom enthusiasts who value consistency over long periods of time. The CLASSIC version retains the robustness of the traditional recipe; giving you the peace of mind that your developer will last; without sacrificing the quality you’ve come to expect.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273078260099,"sku":"ADOX337","price":7.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/13406_20024_bcbac5f5-4ec7-49b6-a849-e8bfbb7a7dff.jpg?v=1744386777"},{"product_id":"adox-d-76-classic-film-developer-makes-5l","title":"Adox D-76 Classic Film Developer - Makes 5L","description":"\u003cp\u003eFotoimpex introduced an eco-friendly version of the iconic D-76 developer: ADOX D-76 ECO. With a lower dissolving temperature, a borate-free buffer, and captura dust-binding technology, it offered impressive environmental benefits. However, they understood that many long-standing customers; especially those who have trusted traditional formulas for decades; may have preferred the trusted characteristics of the original. So they have reintroduced a familiar formula under a new name: ADOX D-76 CLASSIC.\u003c\/p\u003e \r\n\u003cp\u003eD-76 CLASSIC offers the exact same performance, consistency, and developing times that have been relied on for years. Producing identical results to what you expect from ID-11, the original D-76, or our current D-76 ECO, but with one key advantage: extended storage life.\u003c\/p\u003e \r\n\u003cp\u003eWhile ADOX D-76 ECO remains an excellent choice for environmentally conscious photographers, we know that longevity matters, especially for professionals and darkroom enthusiasts who value consistency over long periods of time. The CLASSIC version retains the robustness of the traditional recipe; giving you the peace of mind that your developer will last; without sacrificing the quality you’ve come to expect.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273078292867,"sku":"ADOX338","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/13407_20025_2d166e13-1001-44c6-8fd8-ac577ae6e459.jpg?v=1744386780"},{"product_id":"adox-hc-110-pro-original-syrup-500ml-conc","title":"Adox HC-110 Pro \"Original Syrup\" 500ml conc","description":"\u003cp\u003eThick, juicy, honey-yellow - and everlasting - the “Original Syrup” is coming to market under the ADOX HC-110 Professional name, offering the quality of a German-made classical HC-110 formula.\u003cbr\u003eManufacturing the original HC-110 “syrup” is complex due to its thick consistency, which requires extra time for pumping and filtering. 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They hold 24 photos in portrait format and are ideal for handing over a completed presentation to a customer or tutor or to use as a 'Sketch Book' with examples of your best images and accompanying text if required.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eAvailable sizes are:\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cul\u003e \r\n\u003cli\u003e13x18cm (5x7 inches)\u003c\/li\u003e \r\n\u003cli\u003e24x30cm (9.5x12 inches)\u003c\/li\u003e \r\n\u003cli\u003eA4\u003c\/li\u003e \r\n\u003cli\u003e30x40cm (12x16 inches)\u003c\/li\u003e \r\n\u003c\/ul\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273099985283,"sku":"ADOX802","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/13195_19060_4bd4fca2-5cce-4589-ae7c-c3247ff0e543.jpg?v=1744385793"},{"product_id":"adox-adofile-polypropolyene-photo-book-a4","title":"Adox Adofile Polypropolyene Photo Book - A4","description":"\u003cp\u003eThese presentation books have a matt black surface, and the twelve double-sided, bound archive pages are made of highly transparent PVC. 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It's intended for use in trays, tanks, and processing machines.\u003c\/p\u003e \r\n\u003cp\u003eYou can make up to 10 litres of working solution with one litre of concentrate. Dilution is either 1+4 (recommended for film use)or 1+9.\u003c\/p\u003e \r\n\u003cp\u003eCapacity: 1.4 - 2 sq. meters of photo paper of 6-10 films per litre of working solution at 1+9 dilution. Total capacity: 45 films or 200 sheets of 8x10 inch photo paper.\u003c\/p\u003e \r\n\u003cp\u003eIt'll stay fresh if kept unopened for about two years, but after opening the concentrate, it should be used within three months.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273102508419,"sku":"ADOX353","price":8.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/13191_19054_59167af6-f490-4ecc-a906-30d7006366f7.jpg?v=1744385781"},{"product_id":"adox-adonal-film-developer-rodinal-formula-500ml","title":"Adox Adonal Film Developer (Rodinal formula) - 500ml","description":"\u003cp\u003eAdonal is made to the same formulation as Rodinal and is an acutance enhancing film developer. You should achieve identical results, albeit that it offers more fine-grain while still enhancing sharpness and acutance.\u003c\/p\u003e \r\n\u003cp\u003eIt is a one-shot developer and cannot be re-used but can be used as a fundamental economic developer by diluting at 1+25 or 1+50 for most films. For specialist films, you can even use it at dilutions of 1+200.\u003c\/p\u003e \r\n\u003cp\u003eWe also suggest that when using high dilutions and small developing tanks, please make sure to apply on each film 35mm or 120 at least 5 ml of the concentrated developer. For sheet films, please make sure to use 5 ml of concentrate for every four sheets of 4x5 or one sheet of 8x10.\u003c\/p\u003e \r\n\u003cp\u003eMade in Germany\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273102541187,"sku":"ADOX354","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/12948_18090_8532619f-75cb-4b7c-a201-c3ab0a9b945f.jpg?v=1744384852"},{"product_id":"adox-adotech-iv-100-ml","title":"Adox Adotech - IV 100 ml","description":"\u003cp\u003eAdox CMS 20 is highest resolving film in the world but you need this developer to get the most from it.\u003c\/p\u003e \r\n\u003cp\u003eAdotech II is used for this development when the film has been exposed at between 12 and 20 ISO. If you use this developer you'll get images with perfect halftones.\u003c\/p\u003e \r\n\u003cp\u003eOther than common microfilm developers, Adotech III is very resistant against streaking or producing turbulence- clouds next to the film sprocket holes. However, you still have to use some general caution in agitating the film development tank.\u003c\/p\u003e \r\n\u003cp\u003eThis bottle with 100ml will process 4 films when diluted at 1+9. Please refer to the instructions on the PDF for important usage information.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273102573955,"sku":"ADOX355","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/4400_13622_317e33db-fdb3-46e3-b3be-dd5dbb40bc46.jpg?v=1744381798"},{"product_id":"adox-adotol-konstant-universal-paper-developer-1-litre","title":"Adox Adotol Konstant Universal Paper Developer - 1L","description":"\u003cp\u003eThis universal paper developer was previously available on the market as Calbe N113 but it is the first time it has been available from Firstcall. 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With its excellent shelf-life of over a year in unopened packets, this is definitely the developer to put into your cupboard for the unexpected printing session or when you absolutely need to guarantee freshly mixed developer.\u003c\/p\u003e \r\n\u003cp\u003eThe powder comes in a single part and when mixed will make one litre of working solution.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273102639491,"sku":"ADOX356","price":4.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/3320_12042_64d903ad-560b-4a06-bc11-ed833474a696.jpg?v=1744381466"},{"product_id":"adox-art-baryta-matt-8-x-10in-pack-of-100","title":"Adox Art Baryta 8 x 10in 100 Sheets","description":"\u003cp\u003eThis new, low-cost chemically neutral paper from Adox is a perfect complement for those photographers who love alternative photographic processes.\u003c\/p\u003e\u003cp\u003eWith its base of 190gsm weight and coated with a pure white Barium Sulphate emulsion it is like have a high quality photographic paper but without the light sensitive part. This means you can coat your own Liquid Emulsion, Cyanotype, Gum Bichromate, Salt etc. onto the paper which has been especially stabilized for this specific use.\u003c\/p\u003e\u003cp\u003eIt is also suitable for a coating with aqueous dyes or dyes dispersed in oil. The Barium Sulphate coating enables bright highlights and keeps the coating from diffusing into the paper base yielding higher sharpness and less consumption of the coated media. It is equally suitable as an alternative Inkjet-media e.g. with Golden Ground Emulsions.\u003c\/p\u003e\u003cp\u003eNot sensitized! So may be used in daylight conditions. The paper has a semi-matt finish.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273102672259,"sku":"ADOX620","price":49.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/ADOX_Art_Baryta_8x10_3482dfb3-215e-4e8c-b20b-349f178ca1ba.webp?v=1752549617"},{"product_id":"adox-film-magnifier-10x-precision-illuminated-loupe","title":"Adox Film Magnifier 10x Precision Illuminated Loupe","description":"\u003cp\u003eWe love this new 10x loupe from Adox. Since Rodenstock discontinued their loupe five years ago, there has been a gap for a high-quality, 10x film magnifier that uses a precision, glass lens.\u003c\/p\u003e \r\n\u003cp\u003eSo it was a delight to see that not only has Adox replaced introduced their new loupe but uniquely, it was also illuminated using a LED light that combined covers a large area and produces a crisp high-quality image even at the edges.\u003c\/p\u003e \r\n\u003cp\u003eThe elements in the lenses are is fully coated and in three lenses that go to make up the loupe come in two groups and have a 30mm diameter. This means you can enlarge the film high enough to effectively judge sharpness, grain or resolution and the image is not severely cropped either. For spectacle wearers, there's also an adjustable dioptre compensation.\u003c\/p\u003e \r\n\u003cp\u003eOf course, the 10x magnification is perfect for the ground glass of a field camera to check the focus and In the footer, there is a micrometric scale (1\/10th of a mm) which can be removed if wanted.\u003c\/p\u003e \r\n\u003cp\u003eOther features include a high-quality lens thread is made from metal, transparent foot for translucent or reflecting images and LED ring light built into the loupe. This illumination effectively dispenses with the need for a light box for your contact print viewing. It is powered by 4 silver oxide batteries which are included as well as a protective leather case.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eSpecification:\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cul\u003e \r\n\u003cli\u003eMagnification: 10 times\u003c\/li\u003e \r\n\u003cli\u003eFor translucent or reflection images\u003c\/li\u003e \r\n\u003cli\u003eFocusable\u003c\/li\u003e \r\n\u003cli\u003eDiameter: 42mm (45mm including focusing ring)\u003c\/li\u003e \r\n\u003cli\u003eHeight:50mm to 60mm (focusing thread in\/max.)\u003c\/li\u003e \r\n\u003cli\u003eLens diameter: 30mm\u003c\/li\u003e \r\n\u003cli\u003eWeight without case\/with batteries: 112g\u003c\/li\u003e \r\n\u003c\/ul\u003e \r\n\u003cp\u003eRequires 4 x AG9 or LR45 button batteries-NOT included\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273102901635,"sku":"ADOX851","price":56.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/6848_15945_0b848150-07ea-4dc8-83e9-8a2b215fcd38.jpg?v=1744382910"},{"product_id":"adox-lupex-silver-chloride-contact-paper-11-x-14in-pack-of-25","title":"Adox Lupex Silver Chloride Contact Paper 11 x 14in 25 Sheets","description":"\u003cp\u003eIf you own a large format camera, you can expose photographic printing paper in the camera, and once developed in the darkroom, this creates a paper negative.\u003c\/p\u003e \r\n\u003cp\u003eThe tones of the original scene are reversed in the negative. Bright things become dark on the paper, and dark things become light. You can then make contact prints from these paper negatives instead of enlargements. The process is called contact printing because you squeeze the negative face down in contact with the sheet of silver-gelatin printing paper (between two sheets of glass) and shine a bright light through it to print the image into the paper. The print is exactly the same size as the negative. This same principle can be achieved by printing the paper negative onto an inkjet printer and ready immediately for transfer to the darkroom for contact printing.\u003c\/p\u003e \r\n\u003cp\u003eThis is like darkroom printing in an old-fashioned way, and now there's a special silver chloride paper from Adox called Lupex to achieve such enlargements in just 60 seconds.\u003c\/p\u003e \r\n\u003cp\u003eThe Grade 3 paper renders a neutral to warmtone finish on its 255gsm fibre base. It's also a slow-speed contact fibre paper made with a silver chloride emulsion (eight stops lower than Multigrade). It offers extremely fine grain and impressive results from its first-class resolution, just like your large format negatives.\u003c\/p\u003e \r\n\u003cp\u003eWe recommend using a 300w bulb situated about 4 feet above the exposure area. Exposure takes about 60 seconds. No enlarger is needed to obtain the print. Develop in Multigrade developer diluted 1+9.\u003cbr\u003e \u003cbr\u003e It keeps for at least three years from the purchase date.\u003c\/p\u003e \r\n\u003cp\u003eFor technique tuition, we recommend the series from Tim Bowman on YouTube to inspire you.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273103131011,"sku":"ADOX605","price":91.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/13188_19046_ab27613e-055e-473e-b6e8-c0ed840ce1e3.jpg?v=1744385774"},{"product_id":"adox-lupex-silver-chloride-contact-paper-12-x-16in-pack-of-25","title":"Adox Lupex Silver Chloride Contact Paper 12 x 16in 25 Sheets","description":"\u003cp\u003eIf you own a large format camera, you can expose photographic printing paper in the camera, and once developed in the darkroom, this creates a paper negative.\u003c\/p\u003e \r\n\u003cp\u003eThe tones of the original scene are reversed in the negative. Bright things become dark on the paper, and dark things become light. You can then make contact prints from these paper negatives instead of enlargements. The process is called contact printing because you squeeze the negative face down in contact with the sheet of silver-gelatin printing paper (between two sheets of glass) and shine a bright light through it to print the image into the paper. The print is exactly the same size as the negative. This same principle can be achieved by printing the paper negative onto an inkjet printer and ready immediately for transfer to the darkroom for contact printing.\u003c\/p\u003e \r\n\u003cp\u003eThis is like darkroom printing in an old-fashioned way, and now there's a special silver chloride paper from Adox called Lupex to achieve such enlargements in just 60 seconds.\u003c\/p\u003e \r\n\u003cp\u003eThe Grade 3 paper renders a neutral to warmtone finish on its 255gsm fibre base. It's also a slow-speed contact fibre paper made with a silver chloride emulsion (eight stops lower than Multigrade). It offers extremely fine grain and impressive results from its first-class resolution, just like your large format negatives.\u003c\/p\u003e \r\n\u003cp\u003eWe recommend using a 300w bulb situated about 4 feet above the exposure area. Exposure takes about 60 seconds. No enlarger is needed to obtain the print. Develop in Multigrade developer diluted 1+9.\u003cbr\u003e \u003cbr\u003e It keeps for at least three years from the purchase date.\u003c\/p\u003e \r\n\u003cp\u003eFor technique tuition, we recommend the series from Tim Bowman on YouTube to inspire you.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273104277891,"sku":"ADOX606","price":115.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/13189_19047_06ca344e-5891-4b02-9466-943af6799531.jpg?v=1744385776"},{"product_id":"adox-lupex-silver-chloride-contact-paper-16-x-20in-pack-of-25","title":"Adox Lupex Silver Chloride Contact Paper 16 x 20in 25 Sheets","description":"\u003cp\u003eIf you own a large format camera, you can expose photographic printing paper in the camera, and once developed in the darkroom, this creates a paper negative.\u003c\/p\u003e \r\n\u003cp\u003eThe tones of the original scene are reversed in the negative. Bright things become dark on the paper, and dark things become light. You can then make contact prints from these paper negatives instead of enlargements. The process is called contact printing because you squeeze the negative face down in contact with the sheet of silver-gelatin printing paper (between two sheets of glass) and shine a bright light through it to print the image into the paper. The print is exactly the same size as the negative. This same principle can be achieved by printing the paper negative onto an inkjet printer and ready immediately for transfer to the darkroom for contact printing.\u003c\/p\u003e \r\n\u003cp\u003eThis is like darkroom printing in an old-fashioned way, and now there's a special silver chloride paper from Adox called Lupex to achieve such enlargements in just 60 seconds.\u003c\/p\u003e \r\n\u003cp\u003eThe Grade 3 paper renders a neutral to warmtone finish on its 255gsm fibre base. It's also a slow-speed contact fibre paper made with a silver chloride emulsion (eight stops lower than Multigrade). It offers extremely fine grain and impressive results from its first-class resolution, just like your large format negatives.\u003c\/p\u003e \r\n\u003cp\u003eWe recommend using a 300w bulb situated about 4 feet above the exposure area. Exposure takes about 60 seconds. No enlarger is needed to obtain the print. Develop in Multigrade developer diluted 1+9.\u003cbr\u003e \u003cbr\u003e It keeps for at least three years from the purchase date.\u003c\/p\u003e \r\n\u003cp\u003eFor technique tuition, we recommend the series from Tim Bowman on YouTube to inspire you.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273104507267,"sku":"ADOX607","price":190.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/13190_19048_9eab5bce-69de-472c-91a9-a9b298ccd09b.jpg?v=1744385778"},{"product_id":"adox-lupex-silver-chloride-contact-paper-4-x-5in-pack-of-100","title":"Adox Lupex Silver Chloride Contact Paper 4 x 5in 100 Sheets","description":"\u003cp\u003eIf you own a large format camera, you can expose photographic printing paper in the camera, and once developed in the darkroom, this creates a paper negative.\u003c\/p\u003e \r\n\u003cp\u003eThe tones of the original scene are reversed in the negative. Bright things become dark on the paper, and dark things become light. You can then make contact prints from these paper negatives instead of enlargements. The process is called contact printing because you squeeze the negative face down in contact with the sheet of silver-gelatin printing paper (between two sheets of glass) and shine a bright light through it to print the image into the paper. The print is exactly the same size as the negative. This same principle can be achieved by printing the paper negative onto an inkjet printer and ready immediately for transfer to the darkroom for contact printing.\u003c\/p\u003e \r\n\u003cp\u003eThis is like darkroom printing in an old-fashioned way, and now there's a special silver chloride paper from Adox called Lupex to achieve such enlargements in just 60 seconds.\u003c\/p\u003e \r\n\u003cp\u003eThe Grade 3 paper renders a neutral to warmtone finish on its 255gsm fibre base. It's also a slow-speed contact fibre paper made with a silver chloride emulsion (eight stops lower than Multigrade). It offers extremely fine grain and impressive results from its first-class resolution, just like your large format negatives.\u003c\/p\u003e \r\n\u003cp\u003eWe recommend using a 300w bulb situated about 4 feet above the exposure area. Exposure takes about 60 seconds. No enlarger is needed to obtain the print. Develop in Multigrade developer diluted 1+9.\u003cbr\u003e \u003cbr\u003e It keeps for at least three years from the purchase date.\u003c\/p\u003e \r\n\u003cp\u003eFor technique tuition, we recommend the series from Tim Bowman on YouTube to inspire you.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273104540035,"sku":"ADOX600","price":47.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/13183_19041_aa712482-0682-476e-ab6b-ee8c2277735c.jpg?v=1744385763"},{"product_id":"adox-lupex-silver-chloride-contact-paper-8-x-10in-pack-of-5","title":"Adox Lupex Silver Chloride Contact Paper 8 x 10in 5 Sheets","description":"\u003cp\u003eIf you own a large format camera, you can expose photographic printing paper in the camera, and once developed in the darkroom, this creates a paper negative.\u003c\/p\u003e \r\n\u003cp\u003eThe tones of the original scene are reversed in the negative. Bright things become dark on the paper, and dark things become light. You can then make contact prints from these paper negatives instead of enlargements. The process is called contact printing because you squeeze the negative face down in contact with the sheet of silver-gelatin printing paper (between two sheets of glass) and shine a bright light through it to print the image into the paper. The print is exactly the same size as the negative. This same principle can be achieved by printing the paper negative onto an inkjet printer and ready immediately for transfer to the darkroom for contact printing.\u003c\/p\u003e \r\n\u003cp\u003eThis is like darkroom printing in an old-fashioned way, and now there's a special silver chloride paper from Adox called Lupex to achieve such enlargements in just 60 seconds.\u003c\/p\u003e \r\n\u003cp\u003eThe Grade 3 paper renders a neutral to warmtone finish on its 255gsm fibre base. It's also a slow-speed contact fibre paper made with a silver chloride emulsion (eight stops lower than Multigrade). It offers extremely fine grain and impressive results from its first-class resolution, just like your large format negatives.\u003c\/p\u003e \r\n\u003cp\u003eWe recommend using a 300w bulb situated about 4 feet above the exposure area. Exposure takes about 60 seconds. No enlarger is needed to obtain the print. Develop in Multigrade developer diluted 1+9.\u003cbr\u003e \u003cbr\u003e It keeps for at least three years from the purchase date.\u003c\/p\u003e \r\n\u003cp\u003eFor technique tuition, we recommend the series from Tim Bowman on YouTube to inspire you.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273104703875,"sku":"ADOX602","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/13185_19043_1ffe574e-5669-44b3-a5b8-6fefcad9959a.jpg?v=1744385767"},{"product_id":"adox-lupex-silver-chloride-contact-paper-8-x-10in-pack-of-50","title":"Adox Lupex Silver Chloride Contact Paper 8 x 10in 50 Sheets","description":"\u003cp\u003eIf you own a large format camera, you can expose photographic printing paper in the camera, and once developed in the darkroom, this creates a paper negative.\u003c\/p\u003e \r\n\u003cp\u003eThe tones of the original scene are reversed in the negative. Bright things become dark on the paper, and dark things become light. You can then make contact prints from these paper negatives instead of enlargements. The process is called contact printing because you squeeze the negative face down in contact with the sheet of silver-gelatin printing paper (between two sheets of glass) and shine a bright light through it to print the image into the paper. The print is exactly the same size as the negative. This same principle can be achieved by printing the paper negative onto an inkjet printer and ready immediately for transfer to the darkroom for contact printing.\u003c\/p\u003e \r\n\u003cp\u003eThis is like darkroom printing in an old-fashioned way, and now there's a special silver chloride paper from Adox called Lupex to achieve such enlargements in just 60 seconds.\u003c\/p\u003e \r\n\u003cp\u003eThe Grade 3 paper renders a neutral to warmtone finish on its 255gsm fibre base. It's also a slow-speed contact fibre paper made with a silver chloride emulsion (eight stops lower than Multigrade). It offers extremely fine grain and impressive results from its first-class resolution, just like your large format negatives.\u003c\/p\u003e \r\n\u003cp\u003eWe recommend using a 300w bulb situated about 4 feet above the exposure area. Exposure takes about 60 seconds. No enlarger is needed to obtain the print. Develop in Multigrade developer diluted 1+9.\u003cbr\u003e \u003cbr\u003e It keeps for at least three years from the purchase date.\u003c\/p\u003e \r\n\u003cp\u003eFor technique tuition, we recommend the series from Tim Bowman on YouTube to inspire you.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273104736643,"sku":"ADOX603","price":95.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/13186_19044_f134afdb-87e0-4ac5-bc95-0c0e774b0bc5.jpg?v=1744385769"},{"product_id":"adox-lupex-silver-chloride-contact-paper-9-5-x-12in-pack-of-25","title":"Adox Lupex Silver Chloride Contact Paper 9.5 x 12in 25 Sheets","description":"\u003cp\u003eIf you own a large format camera, you can expose photographic printing paper in the camera, and once developed in the darkroom, this creates a paper negative.\u003c\/p\u003e \r\n\u003cp\u003eThe tones of the original scene are reversed in the negative. Bright things become dark on the paper, and dark things become light. You can then make contact prints from these paper negatives instead of enlargements. The process is called contact printing because you squeeze the negative face down in contact with the sheet of silver-gelatin printing paper (between two sheets of glass) and shine a bright light through it to print the image into the paper. The print is exactly the same size as the negative. This same principle can be achieved by printing the paper negative onto an inkjet printer and ready immediately for transfer to the darkroom for contact printing.\u003c\/p\u003e \r\n\u003cp\u003eThis is like darkroom printing in an old-fashioned way, and now there's a special silver chloride paper from Adox called Lupex to achieve such enlargements in just 60 seconds.\u003c\/p\u003e \r\n\u003cp\u003eThe Grade 3 paper renders a neutral to warmtone finish on its 255gsm fibre base. It's also a slow-speed contact fibre paper made with a silver chloride emulsion (eight stops lower than Multigrade). It offers extremely fine grain and impressive results from its first-class resolution, just like your large format negatives.\u003c\/p\u003e \r\n\u003cp\u003eWe recommend using a 300w bulb situated about 4 feet above the exposure area. Exposure takes about 60 seconds. No enlarger is needed to obtain the print. Develop in Multigrade developer diluted 1+9.\u003cbr\u003e \u003cbr\u003e It keeps for at least three years from the purchase date.\u003c\/p\u003e \r\n\u003cp\u003eFor technique tuition, we recommend the series from Tim Bowman on YouTube to inspire you.\u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273105097091,"sku":"ADOX604","price":67.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/13187_19045_6c00457a-43c9-4243-942f-f149ae21f356.jpg?v=1744385771"},{"product_id":"ago-film-processor","title":"AGO Film Processor","description":"\u003cp\u003eThe AGO Film Processor is \u003cspan\u003ethe first processor to use time compensation instead of temperature regulation\u003c\/span\u003e to ensure proper development. Develop black and white, C-41, E-6, and ECN-2 films in the comfort of your home - or anywhere you take your AGO. \u003c\/p\u003e \r\n\u003cp\u003eEasily develop colour film with temperature-adjusted time compensation algorithms - allowing you more flexibility. Save time and get consistent results with automated agitation. Save up to 60% on chemicals using rotary-style processing, instead of vertical or inversion agitation.\u003c\/p\u003e \r\n\u003cp\u003eThe AGO comes with a variety of popular chemical kit brands pre-programmed to deal with temperature fluctuations, but utilizing the Wi-Fi connections using AGO web user-interface makes it possible for you to add your own programs or download new ones supplied by Vintage Visual in the future.\u003c\/p\u003e \r\n\u003cp\u003eBattery powered (USB-C charging port) with up to 5 hours of constant work without charging. \u003c\/p\u003e \r\n\u003cp\u003e\u003cem\u003eThe AGO is compatible with all Paterson Super System 4 developing tanks.\u003c\/em\u003e\u003c\/p\u003e \r\n\u003cp\u003eIncluded:\u003c\/p\u003e \r\n\u003cul\u003e \r\n\u003cli\u003eAGO Film Processor\u003c\/li\u003e \r\n\u003cli\u003ePaterson Super System 4 developing tank (PTP115) - for two 35mm or one 120 roll\u003c\/li\u003e \r\n\u003cli\u003e2 reels\u003c\/li\u003e \r\n\u003cli\u003e1 Paterson agitation stick (for using Paterson tank WITHOUT the AGO processor)\u003c\/li\u003e \r\n\u003cli\u003eRear Stand\u003c\/li\u003e \r\n\u003cli\u003eUSB-C charging cable\u003c\/li\u003e \r\n\u003cli\u003eInstructions\u003c\/li\u003e \r\n\u003c\/ul\u003e \r\n\u003cp\u003e\u003cspan\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e \r\n\u003cp\u003e\u003cspan\u003eTime Compensation\u003c\/span\u003e\u003c\/p\u003e \r\n\u003cp\u003eAGO is equipped with a temperature sensor and clever algorithm which adjusts time according to the temperature of the chemicals, giving you more flexibility. \u003c\/p\u003e \r\n\u003cp\u003eYou no longer need to meticulously maintain the chemical temperature; you just pour in the chemicals within the right temperature range. AGO takes care of the rest by continuously monitoring the temperature and automatically adjusting the processing time during the process, guaranteeing consistently perfect negatives every time.\u003c\/p\u003e \r\n\u003cp\u003e\u003cspan\u003eAutomated Agitation\u003c\/span\u003e\u003c\/p\u003e \r\n\u003cp\u003eFeaturing both horizontal rotational and vertical stick agitation modes, while we typically recommend the rotational mode for its chemical efficiency and compatibility with time compensation. You have the flexibility to adjust the default agitation speed and intervals for both agitation modes according to your personal preferences.\u003c\/p\u003e \r\n\u003cp\u003e\u003cspan\u003eReduced Chemical Consumption\u003c\/span\u003e\u003c\/p\u003e \r\n\u003cp\u003eWith rotational agitation you can save up to 60% on chemicals depending on your use case and the size of Paterson tank you decide to use vs. traditional vertical or inversion agitation.\u003c\/p\u003e \r\n\u003cp\u003e\u003cspan\u003eWiFi connectivity\u003c\/span\u003e\u003c\/p\u003e \r\n\u003cp\u003eYou can connect to your AGO with Wi-Fi to modify and create your own programs for processes and keep the software updated. \u003c\/p\u003e \r\n\u003cp\u003e\u003cspan\u003eCompatibility\u003c\/span\u003e\u003c\/p\u003e \r\n\u003cul\u003e \r\n\u003cli\u003e35mm\u003c\/li\u003e \r\n\u003cli\u003eMedium Format (120)\u003c\/li\u003e \r\n\u003cli\u003e4x5 Large Format (with a PTP116 tank and the \u003ca href=\"https:\/\/www.freestylephoto.com\/796450\"\u003eAGO 4x5 Reel\u003c\/a\u003e)\u003c\/li\u003e \r\n\u003cli\u003e8x10 Large Format (with a PTP117 tank and the \u003ca href=\"https:\/\/www.freestylephoto.com\/796810\"\u003eAGO Paper Reel 5\u003c\/a\u003e)\u003c\/li\u003e \r\n\u003c\/ul\u003e \r\n\u003cp\u003e\u003cspan\u003eDevelop\u003c\/span\u003e\u003c\/p\u003e \r\n\u003cul\u003e \r\n\u003cli\u003eBlack \u0026amp; White\u003c\/li\u003e \r\n\u003cli\u003eC-41\u003c\/li\u003e \r\n\u003cli\u003eE-6\u003c\/li\u003e \r\n\u003cli\u003eECN-2 \u003c\/li\u003e \r\n\u003c\/ul\u003e","brand":"AGO","offers":[{"title":"Default Title","offer_id":55273108308355,"sku":"AGOF001","price":369.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/AGOF001_2.jpg?v=1752250452"},{"product_id":"ago-reel-4x5","title":"Vintage Visual Reel 4 x 5 for Paterson Tanks","description":"\u003cp\u003eThe Vintage Visual 4x5' Film Reel is an newly designed film reel for the precise development of all 4x5' sheet films in a standard Paterson Multi-Reel 3 or 8 Film Developing Tank. This precision-crafted spiral reel is made for photographers seeking simplicity and reliability in their developing workflow and the compatibility with existing Paterson film developing tanks makes it an affordable solution for developing sheet film at home.\u003c\/p\u003e \r\n\u003cp\u003eThe film reel holds up to 4 sheets of 4x5' film and is crafted from high-quality PETG plastic which ensures durability and chemical resistance. A Paterson Multi-Reel 3 tanks fits one reel allowing you to develop 4 sheets at the same time. Want to develop higher volumes? A Paterson Multi-Reel 8 tank fits two reels which extends the maximum capacity to 8 sheets.\u003c\/p\u003e \r\n\u003cp\u003eLoading and unloading film is straightforward thanks to the reel's smart design, which securely holds film sheets in place for an even development. Say goodbye to undeveloped edges and embrace consistent results regardless of the film development process used: black-and-white, C-41 or E-6. The reel can be used with every agitation technique like standard inversion development but is especially made for rotary development like when using the AGO Film Processor.\u003c\/p\u003e","brand":"AGO","offers":[{"title":"Default Title","offer_id":55273108341123,"sku":"AGOF010","price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/AGFO010_2.png?v=1752509045"},{"product_id":"ago-reel-paper-5","title":"Vintage Visual Reel Paper 5 for Paterson 5 Tanks","description":"\u003cp\u003e\u003cstrong\u003eREEL-Paper 5 Developing Reel\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cp\u003eIntroducing the REEL-Paper 5 - a versatile reel designed to transform your darkroom experience. Compatible with Paterson 5 tanks (and larger), this innovative reel revolutionizes the development of RA-4 paper and large-format films up to 8×10 inches. Now you can develop your paper with the AGO Film Processor with rotary agitation.\u003c\/p\u003e \r\n\u003cp\u003eCrafted from premium PETG plastic using advanced 3D printing technology, the REEL-Paper 5 offers exceptional durability and chemical resistance, ensuring reliable performance with every use. Its compact design allows for efficient processing without the need for cumbersome trays.\u003c\/p\u003e \r\n\u003cp\u003eExperience the flexibility of rotary processing with the precision required for RA-4 chemistry. The REEL-Paper 5 also simplifies B\u0026amp;W paper development and empowers you to explore large-format film effortlessly.\u003c\/p\u003e \r\n\u003cp\u003eEmbrace the art of analog photography—a process that goes beyond capturing images to crafting moments of timeless beauty. The REEL-Paper 5 invites you to discover new dimensions in your work, whether you’re developing captivating prints or exploring the unique qualities of large-format film.\u003c\/p\u003e","brand":"AGO","offers":[{"title":"Default Title","offer_id":55273110339971,"sku":"AGOF011","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/AGOF011_1.png?v=1756275025"},{"product_id":"adox-c-tec-e-6-3-bath-kit-for-12-films-to-mix-1l","title":"ADOX C-TEC E-6 3-bath Kit for 12 films - Makes 1L","description":"\u003cp\u003eThis classic slide processing kit delivers vibrant colour and outstanding image quality, and is almost as easy to use as the ADOX 2-Bath C-TEC 41 Kit!\u003c\/p\u003e\u003cp\u003eThe 3-bath process is compatible with all development tanks, from simple models to automatic processors. You just have to keep the 38°C development temperature exactly.\u003c\/p\u003e\u003cp\u003eThe C-TEC E-6 kit includes the initial developer, the colour developer, the bleach-fixing bath and the stabilizer to develop up to 12 films.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Adox","offers":[{"title":"Default Title","offer_id":55273111585155,"sku":"ADOX370","price":47.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/9085\/4019\/files\/A70665-02.png?v=1752630109"}],"url":"https:\/\/firstcall-photographic.co.uk\/collections\/offers.oembed?page=29","provider":"Firstcall Photographic","version":"1.0","type":"link"}